Quote:
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In selling the arts, and in particular the unique form of opera, what may be some key attention grabbing words to compel people to buy?
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In general, what you want to do is find out what people like about the product, in this case the opera. Have a fan describe how they would describe the performance in question. Another approach is to figure out
who you are writing for.
Let's say the organization wants to boost sales for people who don't have season tickets. You they have the job of trying to engage people without much knowledge of opera. Again, you may find talking to those new to opera helpful.
For the opera newbie, that the opera is performed in English may be a deciding factor. Unfortunately, what sells tickets may have nothing to do with what your boss
thinks will sell tickets. Very often, where the product has 'snob appeal,' image trumps pure results. Effective copy gets suffocated under the effete snob sensibilities of people who 'know what works.'
Unfortunately, knowing becomes a stumbling block to unlearning where customers
were and where anticipating
where customers are heading is the difference between breakeven and putting money in your pocket.
-- Which operas are best to introduce a teen, newbie to?
-- Complete the sentence "I though opera wasn't for me until I saw __________"
-- Which operas have lush set design, great costumes, duels/action?
-- Is there something about *this performance* -- the cast, the conductor, that makes the performance a must see event?
In general, studying the customer is the best, least-used copywriting technique. It cuts through all the assumptions and preconceptions about what the customer wants to find out what they really want. It takes minutes to call a few people and simply
converse. ...Don't "survey." ....Don't interrogate.